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tumble home - перевод на русский
[spin'draiə]
существительное
общая лексика
центробежная сушилка для белья
[tʌmb(ə)l'draiə]
синоним
общая лексика
барабанный сушитель
![The former Home Office building at [[50 Queen Anne's Gate]], [[London]]](https://commons.wikimedia.org/wiki/Special:FilePath/HomeOffice QueenAnnesGate.jpg?width=200 "The former Home Office building at [[50 Queen Anne's Gate]], [[London]]")
![[[Lunar House]] in [[Croydon]], which holds the headquarters of [[UK Visas and Immigration]]](https://commons.wikimedia.org/wiki/Special:FilePath/Lunar House 86.jpg?width=200 "[[Lunar House]] in [[Croydon]], which holds the headquarters of [[UK Visas and Immigration]]")
общая лексика
такая организация работы небольшой фирмы (до 20 сотрудников), при которой рабочие места сотрудников расположены у них дома и имеют телефонную, сетевую, факсимильную или модемную связь. Используется в США и Европе
управление
главная [головная] контора фирмы
штаб-квартира фирмы
домашний офис
рабочее место
кабинет (на дому)
Смотрите также
Определение
Википедия
"Tumble and Fall" is a single released from Welsh rock band Feeder's fifth studio album, Pushing the Senses (2005). It reached number five on the UK Singles Chart, becoming the group's highest-placing single along with "Buck Rogers". It is also their highest-charting song in Ireland, where it reached number 26 to become Feeder's only top-30 hit.
The song features backing vocals from Fran Healy and Dougie Payne from Scottish rock band Travis, who both sing the backing vocals in the final chorus. It was revealed by Healy that the band were recording what would be their fifth studio album The Boy With No Name in a nearby studio room. At the same time Feeder were recording what would be Pushing the Senses and ended up working with Feeder for this track.
CD1 of the single features the popular "Shatter", which was later released as a single itself after a fans petition was put forward, and was planned to be on the album but was finally not included as the record company believed it wouldn't fit in with the feel of the rest of the album, despite Grant Nicholas' protests.
